An Exploration of the Phenomenology of Cinema from the Perspective of McLuhan’s Media Theory: A Case Study of the Film ‘Searching’
Abstract
Art originates from life, and film, as a medium of artistic expression, showcases certain realities of life with profound metaphors.
The film “Searching” portrays a father unraveling the true nature of his daughter through her digital world, emphasizing that human interac_x005ftions are primarily conducted online in this age. This paper examines the themes and significance of “Searching” through the lens of Marshall
McLuhan’s key concepts. McLuhan’s views on media are significantly relevant to modern life, offering insights and research potential in an
era where internet dependency is prevalent.
The film “Searching” portrays a father unraveling the true nature of his daughter through her digital world, emphasizing that human interac_x005ftions are primarily conducted online in this age. This paper examines the themes and significance of “Searching” through the lens of Marshall
McLuhan’s key concepts. McLuhan’s views on media are significantly relevant to modern life, offering insights and research potential in an
era where internet dependency is prevalent.
Keywords
Marshall McLuhan; Phenomenology of Cinema; “Searching”
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PDFReferences
[1] Marshall Mc Luhan Media as Art Forms. Explorations, 1954. 2): 14.
[2] Don Ihde, Letting Things Speak: Postphenomenology and the Philosophy of Technology, translated by Han Lianqing, Beijing: Pe_x005fking University Press, 2008.
[3] Maurice Merleau-Ponty. The Phenomenology of Perception. trans.by C. Smith. London: Routledge, 1962. ii-iii.
[4] Laural. Marks. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University _Press, 2000.
xiii-xiv.3.
[5] Marshall Mc Luhan. Introduction to The Bias of Communication. Harold Innis. The Bias of Communication. Toronto: University
of Toronto Press, 1964.21.
DOI: https://doi.org/10.18686/mcs.v5i6.2202
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