Interpretation of the film “Dog Man” based on Lacan’s Mirror Image Theory
Abstract
”Dog Man” is a psychological drama film adapted by director Luc Besson based on real events. The film tells the story of the pro_x005ftagonist Douglas, who is hurt by his violent father since childhood and even imprisoned in a dog cage for several years. As he grows up, he
can only accompany hundreds of dogs and is marginalized by society. After experiencing a series of setbacks from family, love, and society,
he leads a group of dogs to seek revenge and resist those who have hurt him. The crime genre of the film hides anti-genre stories, and this
article attempts to sort out the self-identity construction process of Douglas from the perspective of Lacan’s mirror theory.
can only accompany hundreds of dogs and is marginalized by society. After experiencing a series of setbacks from family, love, and society,
he leads a group of dogs to seek revenge and resist those who have hurt him. The crime genre of the film hides anti-genre stories, and this
article attempts to sort out the self-identity construction process of Douglas from the perspective of Lacan’s mirror theory.
Keywords
Lacan; Mirror Theory; Luc Besson; Dog Mod
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PDFReferences
[1] Fukuhara Taiping. Lacan: Mirror phase. [M]. Hebei Education Publishing House, 2002.
[2] Zeng Jingting. The Other Identity and Self Reconstruction in the Image Dimension under the Perspective of Mirror Theory.[J].Jour_x005fnal of Changchun University of Technology (Social Science Edition), 2011, 23 (05): 99-101.
[3] Liu Wen. Lacan’s Theory of the Mirror Phase and Self-construction.[J].Academic Exchange, 2006,(07):24-27.
[4] Jacques Lacan. Selected Works of Lacan[M]. Shanghai Joint Publishing Press, 2001: 90.
DOI: https://doi.org/10.18686/mcs.v5i6.2198
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