Spectacle, Landscape, and Expression: The aesthetic construction of Eastern mythology in Creation of The GodsⅠ
Abstract
Creation of The GodsⅠ:Kingdom of Storms is a mythic epic fi lm. Director Wu Ershan “sharps a sword in nine years”, uses
the top production resources to deeply cultivate the content creation, re-examines the Chinese classical culture and precious spiritual wealth,
deeply expresses the connotation of Oriental traditional culture, presents the Eastern aesthetic elements in audio-visual, and reconstructs the
nationalized landscape in the narrative. To build a grand and changeable age of ancient Oriental mythology.
the top production resources to deeply cultivate the content creation, re-examines the Chinese classical culture and precious spiritual wealth,
deeply expresses the connotation of Oriental traditional culture, presents the Eastern aesthetic elements in audio-visual, and reconstructs the
nationalized landscape in the narrative. To build a grand and changeable age of ancient Oriental mythology.
Keywords
director’s aesthetics; Oriental aesthetics; Narrative nationalized landscape
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[1] Jie Yang. Opinion on Film adaptation of the novel of the Investiture of the Gods [J]. Film Literature, 2021, 000(021):131-134.
[2] Xuguang Chen. On the Modern image Transformation of Chinese Artistic Spirit [J]. Journal of Beijing Film Academy,2018(6):11-18.
[3] Jiehong Yang. Rethinking of the concept connotation and Category of “Mythologism” [J]. Folk Culture Forum,2022(1):55-63.
DOI: https://doi.org/10.18686/mcs.v5i5.2084
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