Study on the operation mode of Harbin Russian overseas Chinese music culture mechanism
Abstract
island” isolated from Russia, and the “musical enclave” on which the Russian overseas Chinese spirit and culture depended. Inspired by
Loqin’s “Poetics of music culture” research model, this paper probes into the operation mode of the Russian overseas Chinese music culture
mechanism in Harbin, and holds that the construction of Harbin Middle East Railway, the establishment of Harbin Symphony Orchestra and
the establishment of Harbin No. 1 Music School are important specifi c mechanism factors that support the emergence and existence of the
Russian overseas Chinese “enclave” music society.
Keywords
Full Text:
PDFReferences
[1] Xue Cheng. Investigation on the social history of the formation of Harbin Famous Music City [D]. Heilongjiang Academy of Social Sciences,2016.
[2] Zhenguan Zuo(R). Russian musicians in China [M]. Beijing: People’s Music P ublishing House,2017.06.
[3] Qin Luo. On the Poetics of Musical Culture: A Research Model of Musical Personnel and Culture and its Analysis [J]. Music Research,2009(06):20-23.
[4] Qin Luo. Historical Research and ethnographic Methods from the perspective of Poetics of Music Culture: The historical narration and cultural
signifi cance of the “musical enclave” of Russian overseas Chinese in Shanghai in the 1930s and 1940s [J]. Art of Music (Journal of Shanghai Conservatory of
Music),2010(01):52-71+7.
[5] (O) by Yelena Taskina. Trans. Ji Yujia. Harbin: A Little-Known Story [M]. Harbin: Harbin Publishing House,2018.06.
[6] Xinggeng Li etal. Wind and Rain Duckweed -- Russian Expatriates in China (1917-1945) [M]. Beijing: Central Compilation Publishing House,1997.02.
DOI: https://doi.org/10.18686/mcs.v5i5.2028
Refbacks
- There are currently no refbacks.
