A study on the integration of traditional patterns and design of Miao brocade from an aesthetic perspective
Abstract
In this new era, traditional patterns, as a kind of national art symbol, represent the culture and image of the nation. Miao
traditional brocade art refl ects the distinctive national culture and aesthetic characteristics of the Miao people, and Miao brocade patterns
are symbols with a unique national artistic style that have been handed down through generations from natural things through aesthetic
processing. This paper explores the decorative and functional aspects of Miao brocade from the aesthetic characteristics of the patterns, and
explores how Miao brocade patterns can be combined with pattern design from an aesthetic perspective to refl ect the unique humanistic,
artistic and aesthetic qualities of the Miao people, combining modelling methods, artistic expression, cultural connotations and aesthetic
needs.
traditional brocade art refl ects the distinctive national culture and aesthetic characteristics of the Miao people, and Miao brocade patterns
are symbols with a unique national artistic style that have been handed down through generations from natural things through aesthetic
processing. This paper explores the decorative and functional aspects of Miao brocade from the aesthetic characteristics of the patterns, and
explores how Miao brocade patterns can be combined with pattern design from an aesthetic perspective to refl ect the unique humanistic,
artistic and aesthetic qualities of the Miao people, combining modelling methods, artistic expression, cultural connotations and aesthetic
needs.
Keywords
aesthetics; Miao brocade; traditional patterns; pattern design
Full Text:
PDFReferences
[1](German) Wallinger. Abstraction and Empathy [M]. Shenyang: Liaoning People's Publishing House, 1987.
[2]Yan JY, Liang WH. A comparative study of Miao brocade and Zhuang brocade in Guangxi[J]. Light Textile Industry and Technology, 2017(4): 7-9.
[3]Zhang Guannan, The aesthetic meaning and design direction of traditional folk motifs: the example of deer stone motifs [J]. Art 100. 2020, 36 (04)
[4]Meng Shaoni, Li Chao De. Multiple perspectives on the acceptance of the aesthetics of Chinese fashion [J]. Zhejiang Wan Er Clothing Vocational Technical
University Beauty Journal, 2021,20(04)
[5]Fei Xiaotong. Culture and Cultural Self-consciousness [M]. Beijing: Qunyan Publishing House, 2010
DOI: https://doi.org/10.18686/mcs.v5i3.1914
Refbacks
- There are currently no refbacks.
