Overlapping Spaces: Illusion or Reality——Analysis of Spatial Metaphor in The Cask of Amontillado

Wencong Hu

Abstract


Edgar Allan Poe’s The Cask of Amontillado breaks the traditional narrative structure of time and space and has a unique spatial construction. This article is from a perspective of spatial metaphor, finding that: Poe creates a spatial metaphor composed of three dimensions: physical, psychological, and social. Within the continuously overlapping spaces, he gradually reveals the relationship states between humans and nature, humans and society, and humans and themselves. This not only deepens the complexity of the story plot but also prompts readers to contemplate the desires deep within the human psyche through the use of language.


Keywords


The Cask of Amontillado; Allan Poe; Spatial Metaphor

Full Text:

PDF

Included Database


References


Lawrence, D. H. Studies in Classic American Literature[M]. London: Cambridge University Press,2014.

Lefebvre, Henry. The Production of Space[M]. Trans. Donald Nicholson-Smith. Oxford: Blackwell Publishing, 1991.

Fu SQ, Yuan XS. On the Spatial Construction of Henry James’s Novels: A Case Study of The Portrait of a Lady and The American[J]. Foreign Literature Research, 2014(06): 67-73.

Guo L. The True Revelation of the Subconscious: A Review of Edgar Allan Poe’s The Cask of Amontillado[J]. Journal of North China Electric Power University (Social Sciences), 2000(04): 74-77.

Liu XL. The Reasons behind Edgar Allan Poe’s Horror Fiction[J]. Journal of Quanzhou Normal University, 2006(05): 131-135.

Lu QZ. The Ethical Dimension in Edgar Allan Poe’s Revenge Story “The Cask of Amontillado”[J]. Journal of Xi’an International Studies University, 2019(04): 111-114.

Zhang DM. The Spatial Representation in“In the Heart of Darkness” [J]. Foreign Literature Research, 2012(02): 18-26.




DOI: https://doi.org/10.18686/mcs.v5i4.1823

Refbacks

  • There are currently no refbacks.