The Representation of Traditionally Marginalized Communities in Shakespeare Adaptation to a New Cultural and Historical Context: taking Ophelia (1962) and Yulia and Juliet (2018) as examples.

Shuyan Li

Abstract


By selecting Ophelia (Claude Chabrol, 1962) and Yulia and Juliet (Zara Dwinger, 2018), this thesis tries to discuss the
representation of traditional marginalized communities in Shakespeare adaptations, based on the specific analysis to the original. Two
different communities are involved in these two films. However, they all continue the spirit of humanitarianism which is paramount in
Shakespeare’s work.

Keywords


Global Shakespeare, Shakespeare adaptation, marginalized communities.


Included Database


References


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[5]Shakespeare, W. (2019). Hamlet (Second Edition) (Norton Critical Editions). United States: W. W. Norton & Company.

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London: BFI.




DOI: https://doi.org/10.18686/mcs.v5i2.1685

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