The artistic conception of Chinese freehand oil painting in the context of East West integration
Abstract
puts forward deeper requirements for the integration of Chinese and Western painting. Chinese freehand oil painting is the product of the
integration of Chinese and Western painting. It refl ects the freehand spirit of traditional painting, has a strong aesthetic consciousness, and
also integrates the gorgeous colors of Western oil painting, forming a new freehand expression technique. Based on this, this paper analyzes
and studies the artistic conception of Chinese freehand oil painting under the background of the integration of East and West, for reference.
Keywords
Full Text:
PDFReferences
[1] Honghong Liu Analysis of contemporary freehand oil painting in China [j]Chinese artist, 2019 (11): 1+28
[2] Jinming Zhang On the characteristics and problems of Chinese freehand oil painting [j]Tomorrow fashion, 2019 (04): 57
[3] Zixin Xu How Chinese contemporary freehand oil painting inherits and develops the “artistic conception” of Chinese painting [j]Grand View of art, 2021
(03): 47-48
[4] Yanmei Li The internal spiritual character expression of “writing” and “meaning” in the creation of Chinese freehand oil painting [j]Journal of Heihe
University, 2021,12 (01): 155-157
[5] Xinglong Zheng Chinese freehand oil painting and its artistic expression characteristics [j]Grand View of art, 2021 (21): 36-37
[6] Shanghong Yu Explore the artistic expression of lines in Chinese freehand oil painting [j]Culture monthly, 2021 (07): 178-179
[7] Bin Wu On the artistic conception of Chinese freehand oil painting from the perspective of integration of China and the West [j]Journal of Qiqihar
University (PHILOSOPHY AND SOCIAL SCIENCES EDITION), 2021 (09): 164-166
[8] Bo Li On the triple realm of Chinese freehand oil painting [j]Chinese oil painting, 2018 (06): 77
[9] Fenghai Yu Research on the expression of artistic conception beauty of freehand oil painting [j]Art review, 2018 (27): 78-79
[10] Kai Luo Color ink artistic conception -- exploring the freehand oil painting with Chinese fl avor [j]Art observation, 2019 (07): 140-141
[11] Shengxuan Wang Analysis of Chinese freehand oil painting [j]Art observation, 2018 (10): 134-135
[12] Lifang Liu Analysis of the role of artistic conception and expression language in oil painting [j]Tomorrow fashion, 2018 (17): 128
[13] Xiaowen Yang On the characteristics and problems of Chinese freehand oil p ainting [j]Journal of Shanxi Datong University (SOCIAL SCIENCE
EDITION), 2018,32 (04): 110-112
[14] Wenyong Luo Analysis of lines in Chinese freehand oil painting [j]Chinese artist, 2018 (06): 84
[15] Shihua Wu On the pursuit of artistic conception in oil painting [j]Art review, 2017 (02): 188
DOI: https://doi.org/10.18686/mcs.v5i1.1614
Refbacks
- There are currently no refbacks.